Liquid

Liquid surfaces that move with the music: flowing gradients, glowing beads, lava wax, chrome, oil film and silk.

Launch modes

Mesh Gradient

Soft blobs of colour pushed by the bass, with colour drops poured from a glowing core on every beat and a frosted equalizer that keeps its high-water line.

Classic Studio

Droplets

Glowing glass beads orbit a mother drop, merging and splitting; every beat flings new beads across the frame and leaves a tide line of tiny drops.

Classic Studio

Lava Lamp

Warm wax buds from a molten pool on the beat, swells with the low end, rises as high as the hit was loud and sinks back, marking its high-water line.

Classic Studio

Chrome Blob

A glossy liquid-metal blob in a soft studio whose surface ripples with the spectrum; beats make it jiggle and fling chrome drops across a mirror floor.

Classic Studio

Oil Slick

Thin-film rainbow bands swirl around an oil drop on wet asphalt, shimmering with the highs; each beat spreads a new film ring out across the frame.

Classic Studio

Aurora Silk

Satin ribbons fan out from a glowing knot and twist across the frame; every beat sends a bright ripple running down the silk.

Classic Studio

Controls

Control	Group	Type	Default	Animation	Audio
Primary colorPrimary color used by the engine palette	Style	color	#a78bfa	Yes	No
Secondary colorSecondary color used by the engine palette	Style	color	#38bdf8	Yes	No
BackgroundBackground used by the engine palette	Style	color	#07040f	Yes	No
OpacityVisualizer opacity	Transform	range	1	Yes	No
Frame marginBreathing room kept clear at the frame edges. Audio-driven geometry is soft-limited to fit inside it; geometry scale deliberately is not	Transform	range	0.035	Yes	No
SensitivityBounded overall audio response	Audio	range	1	Yes	No
Spectrum rangeFraction of the frequency range the visual spans. The top of the FFT is near-silent air on most material, so at 1 the right-hand edge of every spectrum visual barely moves	Audio	range	0.86	Yes	No
Primary audio sourcePrimary audio source	Audio	select	bass	No	No
Frequency focusWhich part of the spectrum drives this visual; while no explicit audio source is set, the motion envelope follows this selection	Audio	select	full	No	No
Burst intensityGlow and trail swell on sharp hits; 0 keeps bursts off	Audio	range	0	Yes	No
Ambient bedProminence of the standing background layer behind the beat-born elements	Effects	range	1	Yes	No
Wake lengthHow far motion trails stretch behind beat-born travelers; 0 removes the wake	Effects	range	1	Yes	No
Pulse coreProminence of the source element the beat emanations fire from; 0 hides it	Effects	range	1	Yes	No
Peak memoryHow long peak markers hold before fading; 0 disables the memory layer	Effects	range	1	Yes	No
Audio contributionMaximum contribution from the primary audio route	Audio	range	0.55	Yes	No
Audio dynamicsHow much of the band's movement reaches the visual. 1 = full dynamics; 0 holds it at a steady level for a calmer, more constant look	Audio	range	1	Yes	No
Audio attackEnvelope attack in milliseconds	Audio	range	45	Yes	No
Audio releaseEnvelope release in milliseconds	Audio	range	240	Yes	No
Geometry scaleGeometry scale	Geometry	range	1	Yes	Yes
SpeedTime-based motion; default major cycle is 6–12 seconds	Motion	range	0.1	Yes	Yes
Color modeDuo palette, primary→secondary gradient, or full rainbow sweep	Style	select	duo	No	No
GlowGlow	Effects	range	0.55	Yes	Yes
Global glowShared emissive strength across the frame	Effects	range	0.35	Yes	Yes
Pulse intensityBeat pulse scale for spawn, size, and shake	Effects	range	1	Yes	Yes
Beat responseHow hard every engine hits on each detected beat	Audio	range	1.2	Yes	Yes
Beat smoothingHow long each beat hit rings out before it settles	Audio	range	0.35	Yes	Yes
Beat attackSeconds for a hit to swell to full. 0 snaps instantly	Audio	range	0	Yes	Yes
Beat releaseSeconds for a hit to fade, overriding Beat smoothing. 0 follows it	Audio	range	0	Yes	Yes
Beat shakeFrame kick strength on each beat	Effects	range	0.6	Yes	Yes
Motion echoMotion echo	Effects	range	0	Yes	Yes
BlurBlur	Effects	range	0	Yes	Yes
Chromatic aberrationChromatic aberration	Effects	range	0	Yes	Yes
Beat sync allRoute beat energy into spawn, shake, pulse, speed, and scale	Audio	boolean	true	No	No
ViscosityThicker liquid moves slower, bridges between drops sooner and ripples less	Liquid	range	0.5	Yes	Yes
DensityHow many blobs, beads, film bands or ribbons fill the frame	Liquid	range	1	Yes	Yes
GlossStrength of the specular highlights and sheen on every liquid surface	Liquid	range	1	Yes	Yes
GrainFine film grain that keeps the smooth gradients from banding	Liquid	range	0.3	Yes	No
EqualizerHeight of the frosted equalizer under the gradient; 0 hides it	Liquid	range	0.55	Yes	Yes